Silvia Lorenzo

In late 19th-century Turin, young Lidia Poët fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers; a profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.

After a sleepless night, a woman leaves her house determined to put an end to her torrid relationship. Some memories are not so easy to leave behind, however, and we are now left with a portrait of a soul caught between the optimism of her new opportunities whilst still held back by the nostalgia of her past.

Elena decides to end her abusive relationship. One morning, she is murdered by her ex-partner outside her home. Her death triggers a journey which blends present and past memories, transforming her violent murder into a tranquil departure from life. Narrated via a visual stream of consciousness, Elena represents the destiny and voice of the many women like her who die from femicide every day.​

Olímpicos tells the stories of Uruguayan athletes preparing to reach the highest sporting contest: the Olympic Games. The film portrays these athletes in their daily sacrifice in order to reach Rio de Janeiro 2016. What is it like to be an Olympian in Uruguay? is the main question that this work asks, which includes essential discussion topics for high performance competition in a country depopulated of resources and interest for the so-called “minor sports”. However, this film goes beyond the anecdote and the local context to discover individual universes and universal stories of the human character.

The story of Fernanda Wittgens, the first director of the Brera Art Gallery and the architect, during the war, of the rescue of many works of art and many Jews destined for deportation.

In late 19th-century Turin, young Lidia Poët fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers; a profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.

Elena decides to end her abusive relationship. One morning, she is murdered by her ex-partner outside her home. Her death triggers a journey which blends present and past memories, transforming her violent murder into a tranquil departure from life. Narrated via a visual stream of consciousness, Elena represents the destiny and voice of the many women like her who die from femicide every day.​