Pablo Montes

Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.

The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.

Shot in only one night following the experiences and methods of the Situacionists about redifining the urban scenario, Adrift tries to find new meanings in the city landscape, to catch furtives atmospheres, to treasure instants, to integrate the chance in a journey that, in retrospective, asumes a new, autonomous form. In that sense, it's an experiment that uses the streets to perform a human comedy in perpetual movement.

The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.

The Algerian region of Tindouf is home to more than 170,000 Sahrawis, who have been living in refugee camps since 1976, when Morocco occupied the Western Sahara region. In a place of inhospitable conditions and scarcity, the Sahrawi population lives on dwindling humanitarian aid. Six percent of them face the added difficulty of coeliac disease.