Directing
Maida Moubayed
Known for
Directing
Credits
11 titles
Known for
NRNo synopsis available yet.
Así vamos
1987
NRFree adaptation of the story “Muebles El Canario” by Felisberto Hernández, with Leo Maslíah in the leading role.
La jeringa
1987
8.0A woman that is an excellent wife and mother, and responsible and efficient in her work, commits a shameful act pushed by fate.
Distracción fatal
1993
NRThis documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.
The Tears of Eros
1998
10.0From an early age children are brought up very differently depending on their gender. The process of discovering the world is a veritable box of surprises in which school, the family and the media programme us about what it is to be a “good” girl or a “good” boy.
Pandora's Box
1991
10.0The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.
Without Asking Permission
1989
Behind the camera
NRNo synopsis available yet.
Así vamos
1987
NRFree adaptation of the story “Muebles El Canario” by Felisberto Hernández, with Leo Maslíah in the leading role.
La jeringa
1987
8.0A woman that is an excellent wife and mother, and responsible and efficient in her work, commits a shameful act pushed by fate.
Distracción fatal
1993
8.0A woman that is an excellent wife and mother, and responsible and efficient in her work, commits a shameful act pushed by fate.
Distracción fatal
1993
NRThis documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.
The Tears of Eros
1998
NRThis documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.
The Tears of Eros
1998
10.0From an early age children are brought up very differently depending on their gender. The process of discovering the world is a veritable box of surprises in which school, the family and the media programme us about what it is to be a “good” girl or a “good” boy.
Pandora's Box
1991
10.0From an early age children are brought up very differently depending on their gender. The process of discovering the world is a veritable box of surprises in which school, the family and the media programme us about what it is to be a “good” girl or a “good” boy.
Pandora's Box
1991
10.0The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.
Without Asking Permission
1989
10.0The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.
Without Asking Permission
1989
7.0About abuse in marriage.
Cuantas veces más
1992
