Sebastián Zanzottera

In the drowsiness between sleep and wakefulness, the birds sing. The river forms a border yet also unites; it is a bridge shaped like a 3D dream, where the Río de la Plata wetlands meet the shores of Gaza.

Triggered by a dream, and through the use of photos, 3D animation and refined sound design, this moving first-person work evokes the relationship between Argentinian state policy—in the wake of the wave of privatization in the 1990s—and the death of a young father, a worker dismissed from the state-owned gas company.

In the drowsiness between sleep and wakefulness, the birds sing. The river forms a border yet also unites; it is a bridge shaped like a 3D dream, where the Río de la Plata wetlands meet the shores of Gaza.

In the drowsiness between sleep and wakefulness, the birds sing. The river forms a border yet also unites; it is a bridge shaped like a 3D dream, where the Río de la Plata wetlands meet the shores of Gaza.

In the drowsiness between sleep and wakefulness, the birds sing. The river forms a border yet also unites; it is a bridge shaped like a 3D dream, where the Río de la Plata wetlands meet the shores of Gaza.

Triggered by a dream, and through the use of photos, 3D animation and refined sound design, this moving first-person work evokes the relationship between Argentinian state policy—in the wake of the wave of privatization in the 1990s—and the death of a young father, a worker dismissed from the state-owned gas company.