Production
Vic Ramos
Born — Died
1930-09-01 — 2007-10-21
Place of birth
Los Angeles, California, USA
Known for
Production
Credits
4 titles
Vic Ramos was born on September 1, 1930 in Los Angeles, California, USA. He was a casting director known for Star Wars: Episode IV - A New Hope (1977), Thief (1981) and The Taking of Pelham One Two Three (1974). He also acted in a few films. Ramos was married to Virginia Loew, granddaughter of Metro’s parent-company founder Marcus Loew. He died on October 21, 2007 in Manhattan, New York City, New York, USA of pulmonary failure due to pneumonia.
Known for
5.4A smart-mouthed junkie and a former hairdresser spends his days looking for just "one more fix".
Born to Win
1971
4.5A black radical's ex-wife and children establish a new family unit with a Caucasian man, but he eventually returns to violently besiege them inside their home.
A Fable
1971
5.4A political filmmaker finds himself in Long Island for a weekend where he finds himself entangled with a high-living, jet set crowd. At first it is exciting, but soon he finds himself disillusioned by their shallowness.
Sam's Song
1969
5.8"New York City! Times Square! Broadway! The pulse, the heartbeat, the main artery of the theater throughout the world. To millions of young girls throughout America, it's more than a place. It's a symbol. A state of mind. A beckoning, coaxing Lorelei to the stage-struck everywhere. In endless numbers they flock like moths to the elusive candle of Broadway success, a dream that sometimes does come true..."
The Sin of Mona Kent
1961
Film credits
1970s · 1 titles
1960s · 2 titles
5.4A political filmmaker finds himself in Long Island for a weekend where he finds himself entangled with a high-living, jet set crowd. At first it is exciting, but soon he finds himself disillusioned by their shallowness.
Sam's Song
1969
5.8"New York City! Times Square! Broadway! The pulse, the heartbeat, the main artery of the theater throughout the world. To millions of young girls throughout America, it's more than a place. It's a symbol. A state of mind. A beckoning, coaxing Lorelei to the stage-struck everywhere. In endless numbers they flock like moths to the elusive candle of Broadway success, a dream that sometimes does come true..."
The Sin of Mona Kent
1961