Elias Lahtinen

The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.

When the anarchistic princess of her own life, Princess Itty Bitty is told that her little brother, who still lives in her mother's womb, is about to move into her room, she's had enough. Drawing on the wisdom of her quirky neighbor, Auntie Jenssen, Itty Bitty devises a plan and conjures the bossy grown-ups to Hilldiggle with the help of her magical dog, Sausage.