Morana Komljenović

Danish philosopher Søren Aabye Kierkegaard (1813 – 1855) was buried at the Assistens graveyard in Copenhagen, where he spent his whole life. During his life he was thinking about death a lot, and then he died.

Croatia has 718 islands and 467 cliffs. 67 islands are inhabited, and only nine of them have direct access to potable water. The remaining islands are dependent on water carrier ships. Our Daily Water is a Mediterranean comedy about one such ship and its crew.

This is a film about confronted parallel memories of a village that brutally changed twice its name, population and its own history. The village that got trapped in a vicious circle of never ending traumas of the 20th century.

As a wave of violence, contemporary militarism, nationalism and the threat of a looming war spreads across Europe, documentary filmmaker Morana Komljenović explores the peculiar history of the peaceful retreat of the Yugoslav People's Army from the Croatian city of Rijeka during the earliest months of the Croatian War of Independance of the 1990s.

Nenad Vižin's violent death was the catalyst for a unique phenomenon in the history of ex-Yugoslavia: 300 citizens of Rijeka signed a petition asking the police and the communist party to take responsibility. The petitioners were submitted to accusations and prosecutions. Although the events surrounding the death itself remain a mystery, it left its mark on a whole generation in Rijeka and is still a part of the social fabric of the city. This film depicts the mechanism of fear as an integral part of political systems and portrays the unique artistic rebellion that occurred in Rijeka in the 1980s as a reaction to fear and powerlessness.

The manager and employees of the long-standing rock nightclub Palach are followed in the last moments of the club's existence.

Danish philosopher Søren Aabye Kierkegaard (1813 – 1855) was buried at the Assistens graveyard in Copenhagen, where he spent his whole life. During his life he was thinking about death a lot, and then he died.

Croatia has 718 islands and 467 cliffs. 67 islands are inhabited, and only nine of them have direct access to potable water. The remaining islands are dependent on water carrier ships. Our Daily Water is a Mediterranean comedy about one such ship and its crew.

This is a film about confronted parallel memories of a village that brutally changed twice its name, population and its own history. The village that got trapped in a vicious circle of never ending traumas of the 20th century.

As a wave of violence, contemporary militarism, nationalism and the threat of a looming war spreads across Europe, documentary filmmaker Morana Komljenović explores the peculiar history of the peaceful retreat of the Yugoslav People's Army from the Croatian city of Rijeka during the earliest months of the Croatian War of Independance of the 1990s.

As a wave of violence, contemporary militarism, nationalism and the threat of a looming war spreads across Europe, documentary filmmaker Morana Komljenović explores the peculiar history of the peaceful retreat of the Yugoslav People's Army from the Croatian city of Rijeka during the earliest months of the Croatian War of Independance of the 1990s.

Nenad Vižin's violent death was the catalyst for a unique phenomenon in the history of ex-Yugoslavia: 300 citizens of Rijeka signed a petition asking the police and the communist party to take responsibility. The petitioners were submitted to accusations and prosecutions. Although the events surrounding the death itself remain a mystery, it left its mark on a whole generation in Rijeka and is still a part of the social fabric of the city. This film depicts the mechanism of fear as an integral part of political systems and portrays the unique artistic rebellion that occurred in Rijeka in the 1980s as a reaction to fear and powerlessness.

Nenad Vižin's violent death was the catalyst for a unique phenomenon in the history of ex-Yugoslavia: 300 citizens of Rijeka signed a petition asking the police and the communist party to take responsibility. The petitioners were submitted to accusations and prosecutions. Although the events surrounding the death itself remain a mystery, it left its mark on a whole generation in Rijeka and is still a part of the social fabric of the city. This film depicts the mechanism of fear as an integral part of political systems and portrays the unique artistic rebellion that occurred in Rijeka in the 1980s as a reaction to fear and powerlessness.

The manager and employees of the long-standing rock nightclub Palach are followed in the last moments of the club's existence.

The manager and employees of the long-standing rock nightclub Palach are followed in the last moments of the club's existence.