Christophe Allwright

In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.

Robespierre, a child of the Enlightenment, passionate about justice and concerned with order, is thrust into the storms of the Revolution. He becomes one of its most tragic figures. The guiding thread of this dramatic development is Robespierre’s own speech. Excerpts from his major addresses are thus staged, emphasizing the contradictions of a man who advocates for the abolition of the death penalty yet justifies the Reign of Terror, who tirelessly fights for universal suffrage but helps establish an exceptional regime. His life and exercise of power are confronted, thirty years apart, with the analyses and judgments of historians and political figures from the Bicentennial and the early 21st century: Michel Vovelle, Michel Biard, Hervé Leuwers, Patrice Gueniffey, Jacques Chaban-Delmas, Michel Debré, Lionel Jospin, Jean-Louis Bourlanges, and Alexis Corbière.