David Cox

A cyber-punk thriller combining live action and 3D animation, set in Melbourne, Australia in the future.

Made as an exercise in my animation class at Swinburne University in 1990, Tatlin is rumination on the life & work of Vladimir Tatlin.

Berlin, 1934: John Flaus plays Goethe, the puppeteer whose mechanical clockwork knife-throwing act is under surveillance by a slimy SS agent (Heinz Boeck). The showdown comes at a New York presentation of the show.

Travelogue of journey around Europe

A one off 7 minute documentary film commissioned in 2001

"Lost forever in the vortex of Eastern European anxiety, our puppet hero Hector languishes in scene after scene of contrived torment. Antiquity is thus his total realm, his self... This is the flipside of Perestroika; the solid weight of monuments and walls crashing down on waiting faceless figures." - David Cox, Cantrills Filmnotes, Issue 63/64, December 1990.

A cyber-punk thriller combining live action and 3D animation, set in Melbourne, Australia in the future.

Made as an exercise in my animation class at Swinburne University in 1990, Tatlin is rumination on the life & work of Vladimir Tatlin.

Berlin, 1934: John Flaus plays Goethe, the puppeteer whose mechanical clockwork knife-throwing act is under surveillance by a slimy SS agent (Heinz Boeck). The showdown comes at a New York presentation of the show.

Berlin, 1934: John Flaus plays Goethe, the puppeteer whose mechanical clockwork knife-throwing act is under surveillance by a slimy SS agent (Heinz Boeck). The showdown comes at a New York presentation of the show.

Travelogue of journey around Europe

A one off 7 minute documentary film commissioned in 2001

"Lost forever in the vortex of Eastern European anxiety, our puppet hero Hector languishes in scene after scene of contrived torment. Antiquity is thus his total realm, his self... This is the flipside of Perestroika; the solid weight of monuments and walls crashing down on waiting faceless figures." - David Cox, Cantrills Filmnotes, Issue 63/64, December 1990.

Onus On Us began as a cinema verite movie of my own life, but ended as a film-performance staged at events such as the annual Super 8 Film Festival in Melbourne in 1986 and 1987.

About an acrobatic Cyberfeminist Trio who intersect boundaries: with technology and architecture.