Directing
Anne Faisandier
Known for
Directing
Credits
5 titles
Known for
28 June 1984. A day in the life of Yvette Roudy, Minister for the Women Rights. She goes to Franche-Comté. We mostly will eard of professional formation for women. Since the 1983 law about professional equality, Yvette Roudy insists on going in all these regions. She wants to check if her politic is well taken into account and wishes to accelerate this process.
Madame Yvette Roudy : voyage à Besançon
1984
Superbia states "I am pride. The proud root of all evil. I am Superbia, the first of the seven capital sins. I am always the first. The tree of wickedness grows out of me. My six daughters are its forbidden fruit: gluttony, laziness, greed, anger, envy, lust." In this grotesque procession of a giant haystack with characters representing pride, edited with images of real military parades, Ulrike Ottinger depicts a subtle allegory of human vanities.
The Making Of “Superbia”
1986
1.0No synopsis available yet.
Le voyage sans fin
1985
NRAfter a series of rapes in broad daylight in 1985, a demonstration takes place in September. Leaflets accuse the "immigrant criminal underworld." Immigrants and Muslims are blamed. Eight feminists: Claire Atherton (editing), Claire Auzias, Marie-Jo Dhavernas, Catherine Deudon, Anne Faisandier (camera), Liliane Kandel, Nadja Ringart and Ioana Wieder want to testify and fight sexism wherever they come from and whoever the authors are. They decide to realize a documentary. They meet Souad Benani and Malika Bennabi, activists of the group Les Nanas Beurs, then Fatima and Rosa, activists of SOS Racisme. Then three anti-racist activists : Harlem Désir, Adil Jazouli, Sami Nair to discuss it.
Les racistes ne sont pas nos potes, les violeurs non plus
1986
No synopsis available yet.
La forêt est à nous
—
Film credits
Undated · 1 titles
Behind the camera
28 June 1984. A day in the life of Yvette Roudy, Minister for the Women Rights. She goes to Franche-Comté. We mostly will eard of professional formation for women. Since the 1983 law about professional equality, Yvette Roudy insists on going in all these regions. She wants to check if her politic is well taken into account and wishes to accelerate this process.
Madame Yvette Roudy : voyage à Besançon
1984
Superbia states "I am pride. The proud root of all evil. I am Superbia, the first of the seven capital sins. I am always the first. The tree of wickedness grows out of me. My six daughters are its forbidden fruit: gluttony, laziness, greed, anger, envy, lust." In this grotesque procession of a giant haystack with characters representing pride, edited with images of real military parades, Ulrike Ottinger depicts a subtle allegory of human vanities.
The Making Of “Superbia”
1986
1.0No synopsis available yet.
Le voyage sans fin
1985
NRAfter a series of rapes in broad daylight in 1985, a demonstration takes place in September. Leaflets accuse the "immigrant criminal underworld." Immigrants and Muslims are blamed. Eight feminists: Claire Atherton (editing), Claire Auzias, Marie-Jo Dhavernas, Catherine Deudon, Anne Faisandier (camera), Liliane Kandel, Nadja Ringart and Ioana Wieder want to testify and fight sexism wherever they come from and whoever the authors are. They decide to realize a documentary. They meet Souad Benani and Malika Bennabi, activists of the group Les Nanas Beurs, then Fatima and Rosa, activists of SOS Racisme. Then three anti-racist activists : Harlem Désir, Adil Jazouli, Sami Nair to discuss it.
Les racistes ne sont pas nos potes, les violeurs non plus
1986
