Juraj Lehotský

The film adaptation of the novel of the same name by Peter Jilemnický is a drama about the life of poor Kysuce miners, which takes place in the thirties during the economic crisis. During the peak wave of emigration, the dream of a better life drives thousands of people to America for work. Others, in order to support their families, leave for the surrounding towns. Produced by the Bratislava Art Film Studio, studios and laboratories Bratislava - Koliba.

Slovak director Marek Kuboš has not shot a film in 13 years. His first film ever – a student exercise at film school – was a self-portrait. The circle is closed, the source of creativity has seemingly dried up. All that is left to do in the last self-portrait is to clean up after oneself, to recapitulate one’s successes and failures, and to bid farewell to one’s protagonists. This introspective meta-documentary is not so much a study of a creative crisis as it is a self-therapeutic process and an attempt at offering a comprehensive profile of the filmmaker at a time of unstable certainties. Appearing in the role of Kuboš’s consultants are essentially all leading Slovak documentary filmmakers.

Three friends, Emil, Vrabec and Mišo, spend every Sunday playing the lottery, each nursing a personal dream: Emil wants a Jawa 250 motorcycle, Vrabec hopes for a Pionier scooter and Mišo imagines funding a world tour. Frustrated by constant losses, they decide to maximize their stake in the next draw, convinced that more money will tip the odds in their favor. Their plan takes an unexpected turn when they meet attractive Eva Dvorčíková on a televised variety show - Eva has long been Mišo’s unspoken crush. To determine who will have the right to win her affection, the friends agree to draw lots, putting their bonds and ambitions to the test.

Set in Bratislava, university friends Turo and Andrey are paralyzed by existential dread under the shadow of the Cold War and the threat of nuclear war. Rejecting long-term goals, Turo is an astronomy student that adopts a hedonistic lifestyle, while Andrey channels his anxiety into a sculpture for Hiroshima. This shared trauma ultimately tests their friendship and undermines their relationships.

No synopsis available yet.