Abdallah Charki

When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.

Amin, a young lookout full of gibberish from 93, uses his magnificent voice to warn the dealers of the arrival of the police. Isabelle, a director in Paris, sees in Amin the future soloist of her opera and offers him an artistic future far from his ghetto. With the first performance approaching, will Amin confirm the hopes placed in him?

Amin is a young spotter with the gift of the gab. Isabelle, a theater director from Paris, sees an opportunity for Amin to become a soloist in her opera.

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Eva, 20, joins Safietou, Djaoua, Violette and Simone, a team of chambermaids at one of Paris’s finest Palace Hotels. She discovers the poor working conditions of these invisible women, who work tirelessly to keep the high standards of these luxurious hotels, where one night can cost their annual salary. Many are not even employed by the hotels directly but by sub-contractors, and are therefore particularly vulnerable. While on strike to fight against subcontracting and to obtain better working conditions, they come up with a colorful idea : having their own “Fashion Week” in front of the hotel!

Unassertive Neila works at a local fast food joint in the Paris suburb where she's from. One day, she meets another black woman her age named. Championne: delivery girl by day and dominatrix by night. Drawn by the lure of thrills and easy money, Neila follows her into a world that will change her life forever.

It's the year of the baccalaureate for Magyd, a little Arab from rue Raphaël, northern districts of Toulouse. A formality for the French, a seismic event for the “native”. Just think, the first Arab ferry in the city. The end of a tunnel, the climax of a long standoff with fate, under the incessant loving pressure of the all-powerful mother and the jeering quelibets of the gang. Because it is not good to pass for an “intellectual” after school, in the periphery of “living together”; Magyd and his inseparable friends, Samir the activist and Momo the chat artist, experience it on a daily basis.