Masazumi Minaki

How well can movies reproduce the reality we see? Cinema used to record and reproduce the movements of the scene using a camera (photograph), a device that records the scene in terms of perspective. Is it true? Isn't it possible that our way of seeing things, on the contrary, was created by photographs and movies, or by paintings based on perspective that existed before then? This film provokes the way of viewing films cultivated in this way.

Experimental short by Yo Ota.

Kotaro and Akari Yuma left their corporate jobs to work as the hired managers of a certain love hotel. For some reason, many guests specifically request Room 301; a rumor is quietly circulating that the room possesses a mysterious power that heightens a woman's sensuality. Yet, hidden within this room lies a tragic story that no one knows about...

Mamiya Mugen is a detective who has the ability to look into people's minds and show their dreams to others. He is lured by the disembodied voice of girl, Nayuko Mishima, who has been missing for months.

Tanaka is a young man who works in a scrapyard. He falls for his colleague Yoshiko, but she's trapped in a violent relationship with a small-time gangster.