Artur-Pol Camprubí

Naomi calls Matteo and compares him to the sea: how can you ask the waves to be anything other than waves? To have known him is enough. His answer is less enthusiastic, and finding herself emptier than she had thought, she heads into a rocky valley to find inner connection: to hear what the rocks, trees, and wind have to say about it all.

Having just moved to Amsterdam, Lou prepares her new apartment that she will share with her partner, Joel. For now though, Joel is on a trip with an intimate other. Confronted with the complexities of her non-monogamous relationship, Lou shifts her gaze to the rhythms of her new city.

A streetlamp marking the limit of a town in Aragon’s Eastern Strip lights up at nightfall. Angelica, a woman of Romanian origin living in the town, witnesses the birth of a foal at the stables where she works. The little creature’s struggle to free itself from the maternal placenta, its condition of ghostly and borderline existence, pierce her to the extent that she will be unable to shake off the image.

The caves of Almería where Conan the Barbarian was filmed bear the profound imprint that cinema leaves on the places where it is shot. What happens when the myth of fiction fades? Can we reuse that imprint to imagine something different through it?

Video presentation of the third quarter 2022 programming of Tabakalera's shared public screen. A piece for Tabakalera created by Artur-Pol Camprubí.

A streetlamp marking the limit of a town in Aragon’s Eastern Strip lights up at nightfall. Angelica, a woman of Romanian origin living in the town, witnesses the birth of a foal at the stables where she works. The little creature’s struggle to free itself from the maternal placenta, its condition of ghostly and borderline existence, pierce her to the extent that she will be unable to shake off the image.

A streetlamp marking the limit of a town in Aragon’s Eastern Strip lights up at nightfall. Angelica, a woman of Romanian origin living in the town, witnesses the birth of a foal at the stables where she works. The little creature’s struggle to free itself from the maternal placenta, its condition of ghostly and borderline existence, pierce her to the extent that she will be unable to shake off the image.

The caves of Almería where Conan the Barbarian was filmed bear the profound imprint that cinema leaves on the places where it is shot. What happens when the myth of fiction fades? Can we reuse that imprint to imagine something different through it?

Video presentation of the third quarter 2022 programming of Tabakalera's shared public screen. A piece for Tabakalera created by Artur-Pol Camprubí.