Gaby Khoury

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A mother and her daughter explore together the trajectory of four generations of women from their family, an Egyptian family from the Levant where life and cinema have been intimately linked and still are. A cross look between family archives where the real and the fiction and the autobiographical films of Youssef Chahine mingle. From Alexandria to Cairo, passing through Paris and Havana, an intimate and visceral narrative where mother and daughter cross space and time to trace destinies and question their emotions

Hatem is a corrupt police officer, who loves his neighbor Nour, who in turn loves the prosecutor, Sherif. Hatem tries to win Nour’s attention even if by force.

Hassan has been haunted by feelings of guilt ever since his mother and sister died. He faces a challenging situation with his new job as the driver and bodyguard of a teenage girl, which may possibly help him redeem himself.

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.

Ahmed, a quirky marriage counselor, is heartbroken when his wife, Eman, receives bad news from her doctor. To make sure their daughter has a loving mother figure after she’s gone, Eman forces Ahmed to marry her attractive best friend Fawzeya, despite knowing he’s always had a crush on her! As Ahmed and Fawzeya start to warm up to each other after their marriage, hilarious events unfold when they discover a mistake in Eman’s diagnosis.

Malak is a star singer who lives with her mother and her daughter, Loula, in her villa after her divorce. She falls in love with an opportunist called Lam'ey, so her daughter sets out to expose him with the help of her lover, a driver called Nasser, and the director, Ezz-ElDin who deeply loves Malak.

Hassan and Fatma are a couple, living and working in a farm of wealthy owner Mourad. In the first days of the Jan 25th revolution, Ali seizes a security breach to break out of jail and runs to his cousin Hassan, for shelter. The latter takes him in but soon after, Mourad discovers the love that Fatma and Ali shared, years ago. This romantic history, fuelled by mounting sexual frustration, will come back to haunt all those involved.

Youssef is a hotshot anesthesiologist who often sleeps in his car for privacy. Laila is the careerist host of a late night radio call-in show. These two members of Cairo's elite, lost souls traveling parallel paths of longing and disconnection, are the principal fish in Yousry Nasrallah's The Aquarium, a meditation on the intellectual capital of the Middle East, now bent under the sway of repression in all its forms.

Ever wonder what it was like to be in the middle east during the Gulf War of the early 90s? Sure, many films and TV shows have portrayed what it was like for the UN forces. This film takes you into the melee from the perspective of Egyptians -- who were sharply divided about the war -- and their daily lives, which, as one sees, form the basis of their foundation for understanding/approaching the war. And it really is these "every day" realities that make up the bulk of the film.

A suspense thriller that revolves around a pregnant woman who carries a lot of mysteries about her pregnancy, and her relationships with the people around her.

In Post-War Lebanon, after Taif Accord in 1989, and the Syrians withdrawal from Lebanon,seemingly disconnected at first, the stories reveal an interconnection, particularly with an Egyptian director seeking societal freedom in Beirut falls victim to its repression.

A documentary that sheds light on Rose al-Yusuf's life as told by a group of those who lived with her and had close ties with her or through the eyes of those who read about her and delved into history in search of the secrets of her biography.

Azoz, an employee at the Opera House accompanies a violinist who has just arrived from tours abroad in her errands in the city. He eventually gets influenced by her and starts listening to classical music, and simultaneously gets bored with his life and wife.

Gharib recalls his life’s journey, which intersects with what the city of Suez experienced over two centuries through the Triple aggression and the Defeat of 1967. Gharib meets Mahmoud, who had been with his father in the people's resistance and they work together in resistance activities.