Jerry Warren

Two sailors on shore leave head out for four days of partying – only to become involved in the affairs of an aspiring singer and her precocious nephew.

Four balloonists and their dog are stranded on a remote island with a woman believed to be a descendant of Frankenstein, who is conducting experiments on lost sailors.

A busty Batwoman enlists her beauteous bevy of Batgirls to help her regain a mad scientist's invention–an atom bomb made from a hearing aid–before costumed ne'er-do-well Rat Fink can glom onto it for his own purposes.

A scientist seeking loot of the Nile regresses a woman to her past incarnation, a princess in ancient Egypt. (Edited from the Mexican horror film LA MOMIA AZTECA, and follows its general plot but with 36 minutes of new, American-made footage and English narration in lieu of dubbed dialogue for the original footage.)

A scientist experimenting with past lives finds a reincarnated Aztec who can lead him to lost treasure—and to a creature that should remain lost. (Composed of footage from two unrelated Mexican horror films, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new American-made footage.)

Four adventurers descend to the bottom of the sea. When their surface tether snaps, they find themselves marooned in a network of underwater caverns.

Four balloonists and their dog are stranded on a remote island with a woman believed to be a descendant of Frankenstein, who is conducting experiments on lost sailors.

Four balloonists and their dog are stranded on a remote island with a woman believed to be a descendant of Frankenstein, who is conducting experiments on lost sailors.

Four balloonists and their dog are stranded on a remote island with a woman believed to be a descendant of Frankenstein, who is conducting experiments on lost sailors.

A busty Batwoman enlists her beauteous bevy of Batgirls to help her regain a mad scientist's invention–an atom bomb made from a hearing aid–before costumed ne'er-do-well Rat Fink can glom onto it for his own purposes.

A busty Batwoman enlists her beauteous bevy of Batgirls to help her regain a mad scientist's invention–an atom bomb made from a hearing aid–before costumed ne'er-do-well Rat Fink can glom onto it for his own purposes.

A busty Batwoman enlists her beauteous bevy of Batgirls to help her regain a mad scientist's invention–an atom bomb made from a hearing aid–before costumed ne'er-do-well Rat Fink can glom onto it for his own purposes.

A scientist seeking loot of the Nile regresses a woman to her past incarnation, a princess in ancient Egypt. (Edited from the Mexican horror film LA MOMIA AZTECA, and follows its general plot but with 36 minutes of new, American-made footage and English narration in lieu of dubbed dialogue for the original footage.)

A scientist seeking loot of the Nile regresses a woman to her past incarnation, a princess in ancient Egypt. (Edited from the Mexican horror film LA MOMIA AZTECA, and follows its general plot but with 36 minutes of new, American-made footage and English narration in lieu of dubbed dialogue for the original footage.)

A scientist experimenting with past lives finds a reincarnated Aztec who can lead him to lost treasure—and to a creature that should remain lost. (Composed of footage from two unrelated Mexican horror films, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new American-made footage.)

A scientist experimenting with past lives finds a reincarnated Aztec who can lead him to lost treasure—and to a creature that should remain lost. (Composed of footage from two unrelated Mexican horror films, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new American-made footage.)

A scientist experimenting with past lives finds a reincarnated Aztec who can lead him to lost treasure—and to a creature that should remain lost. (Composed of footage from two unrelated Mexican horror films, LA CASA DEL TERROR and LA MOMIA AZTECA, plus new American-made footage.)

Four adventurers descend to the bottom of the sea. When their surface tether snaps, they find themselves marooned in a network of underwater caverns.

Four adventurers descend to the bottom of the sea. When their surface tether snaps, they find themselves marooned in a network of underwater caverns.

Resurrected by his grandson, a diabolical scientist with an unquenchable thirst for blood goes on a rampage. (A revision of the Mexican horror film LA MARCA DEL MUERTE, considerably edited and with 20 minutes of new American-made footage.)

Resurrected by his grandson, a diabolical scientist with an unquenchable thirst for blood goes on a rampage. (A revision of the Mexican horror film LA MARCA DEL MUERTE, considerably edited and with 20 minutes of new American-made footage.)

An escaped prisoner flees to the South American jungle, where he must survive not only wild animals and disease but also a ferocious Indian tribe.

An escaped prisoner flees to the South American jungle, where he must survive not only wild animals and disease but also a ferocious Indian tribe.

An escaped prisoner flees to the South American jungle, where he must survive not only wild animals and disease but also a ferocious Indian tribe.

When chain gang prisoners attack their guards, some of the hardened criminals escape Brazil's infamous Anchieta Prison amidst all the pick-ax carnage. The government dispatches a machine-gun squad to round up the fugitives.

Hands sculpted in stone, hidden in the niches of an ancient house, are regarded as sources of a curse by the present inhabitant, a country gambling addict. Indeed, he goes to an early grave after experiencing bankruptcy. The house passes to another family, one of whose sons becomes obsessed with the hands. (A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.)

Hands sculpted in stone, hidden in the niches of an ancient house, are regarded as sources of a curse by the present inhabitant, a country gambling addict. Indeed, he goes to an early grave after experiencing bankruptcy. The house passes to another family, one of whose sons becomes obsessed with the hands. (A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.)

A boating trip to an uncharted island becomes a fight for survival when two men happen upon a mad scientist, her brainwashed minions and a murderous gorilla.

A boating trip to an uncharted island becomes a fight for survival when two men happen upon a mad scientist, her brainwashed minions and a murderous gorilla.

A boating trip to an uncharted island becomes a fight for survival when two men happen upon a mad scientist, her brainwashed minions and a murderous gorilla.

Concerned about her brother who disappeared during his scientific expedition into the Himalayas, where he was searching for the elusive yeti, Connie Hayward sets out to scale the Himalayas. During her trek, she survives attacks by groups of vicious yetis. When she arrives at her brother's final campsite, she encounters a mysterious native guide who harbors a sinister secret.

Concerned about her brother who disappeared during his scientific expedition into the Himalayas, where he was searching for the elusive yeti, Connie Hayward sets out to scale the Himalayas. During her trek, she survives attacks by groups of vicious yetis. When she arrives at her brother's final campsite, she encounters a mysterious native guide who harbors a sinister secret.