Seif Omrane

A comedy that depicts the situation in Tunisia 3000 years ago when King Satour was in charge. As his son Burghul assumes power when his father is severely ill, Khufash manages to put Burghul in prison to seize power, but Burghul and his friend plan to escape and get revenge.

Foued, a young director, helps his friend Tita by filming his hip-hop video. During a shooting scene with Safa, they find a packet of cocaine. They decide to sell it in small quantities at a trendy nightclub in Tunis. Every night, they cross the bridge. But things take an unexpected turn.

An endearing Tunisian loser, a con artist in his spare time, has his life turned upside down when he crosses paths with a shapeshifting alien capable of taking on the appearance of anything he observes.

The story follows two families living in parallel worlds that meet only in misfortune. One reigns atop the financial pyramid, hiding corruption and money laundering behind luxurious walls, while the other struggles daily at the bottom, fighting for mere survival.

The tone is light‑dramatic, very Tunisian in its social humor, and it revolves around everyday problems, family tensions, and the kind of chaotic situations that escalate until characters say “هذي آخرتها؟” (“Is this how it ends?”).

Ammar is a typical unemployed tunisian youngster who is trying to find an opportunity to improve his reality, but finds instead a watch that when he wears, puts him is a spell to repeat the same day over and over again.

A comedy that depicts the situation in Tunisia 3000 years ago when King Satour was in charge. As his son Burghul assumes power when his father is severely ill, Khufash manages to put Burghul in prison to seize power, but Burghul and his friend plan to escape and get revenge.

The story follows two families living in parallel worlds that meet only in misfortune. One reigns atop the financial pyramid, hiding corruption and money laundering behind luxurious walls, while the other struggles daily at the bottom, fighting for mere survival.

The tone is light‑dramatic, very Tunisian in its social humor, and it revolves around everyday problems, family tensions, and the kind of chaotic situations that escalate until characters say “هذي آخرتها؟” (“Is this how it ends?”).

Ammar is a typical unemployed tunisian youngster who is trying to find an opportunity to improve his reality, but finds instead a watch that when he wears, puts him is a spell to repeat the same day over and over again.