Directing
Zoran Mladenovikj 'Okan'
Known for
Directing
Credits
5 titles
Known for
10.0Macedonian TV drama.
How Pertef and Leonida Loved Each Other
1974
NRThe film focuses on the life of a Macedonian intellectual who faces personal and professional challenges in the society of the 1980s.
The Condition Before A Heart Attack
1986
7.0The truck driver (Molovski) is negligent in his attitude towards work. Despite the warnings that his vehicle is defective, he leaves on the road, and in addition he returns to the local tavern to meet the new waitress and drink "one round". He causes an accident with a bus. Five people are killed and several are seriously injured. Among the dead is his little neighbor.
Guilty
1983
Macedonian TV film.
The Roommates from Room 306
1976
NRThe monastery "St. Panteleimon" in Nerezi is a masterpiece of medieval, not only Macedonian but also Byzantine architecture. Its main features are the harmonious forms, the mastery of its builders, the polychrome facade of stone and brick, as well as the skillfully made domes. The painting, on the other hand, by unknown masters from 1164 represents the apogee of drama, unseen in medieval painting until Nerezi.
Nerezi
1989
Behind the camera
10.0Macedonian TV drama.
How Pertef and Leonida Loved Each Other
1974
NRThe film focuses on the life of a Macedonian intellectual who faces personal and professional challenges in the society of the 1980s.
The Condition Before A Heart Attack
1986
7.0The truck driver (Molovski) is negligent in his attitude towards work. Despite the warnings that his vehicle is defective, he leaves on the road, and in addition he returns to the local tavern to meet the new waitress and drink "one round". He causes an accident with a bus. Five people are killed and several are seriously injured. Among the dead is his little neighbor.
Guilty
1983
Macedonian TV film.
The Roommates from Room 306
1976
NRThe monastery "St. Panteleimon" in Nerezi is a masterpiece of medieval, not only Macedonian but also Byzantine architecture. Its main features are the harmonious forms, the mastery of its builders, the polychrome facade of stone and brick, as well as the skillfully made domes. The painting, on the other hand, by unknown masters from 1164 represents the apogee of drama, unseen in medieval painting until Nerezi.
Nerezi
1989
