Enzo Porcelli

A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

In 1914, sixteen year old Roger returned home from boarding school during vacation to find his puberty hit hard in a house filled with beautiful women. These women have previous engagements with other men who are away, and during this time, Roger impregnates them all, including his aunt and sister, then devises plans to cuckold the men.

A young writer is trapped between his awful actress mother and the knowledge that he has only a mediocre talent as a playwright and almost no force of character.

The film chronicles the melancholy journey of two celebrity look-alikes chasing their dream of la dolce vita in Italy. Romanian Marilyn Monroe impersonator Ileana and Bulgarian Elvis double Nicolaj win a look-alike contest in Bucharest in which the prize is a summer engagement in a nightclub on Italy's Adriatic coast. The two strangers take off together, communicating in the broken Italian they picked up from TV. When a bureaucratic hitch with Ileana's passport cuts them off at the airport, they cross the border illegally by car, travelling through a part of Yugoslavia devastated by war. They accept hospitality at a military outpost, but the suicide of a colonel there casts suspicion on Ileana. Beaten and afraid, they continue their odyssey across the harsh sunless no-man's-land gradually scarring them both and clouding their hopes. They finally reach Italy, but all is not as promised.

Lorenzo, a handsome first-year professor in an isolated Italian village, falls under the spell of his most beguiling pupil, a dark-haired, starry-eyed 12-year-old named Duilio. As Lorenzo's relationship with his heartless girlfriend deteriorates, he finds himself walking the fields with his loving student. When their idyllic friendship is questioned by Duilio's suspicious stepmother, Lorenzo is brought to a crisis of conscience.

In a small mountain valley in Italy, the former criminal Cesare discovers the corpse of his nephew Fausto.

With three of his companions in a fatal gas-station robbery drowned while evading a police roadblock, the surviving young thug has no reason to turn himself in to the police, since they don't know about his existence. At least, that's the way his rescuer Bruno (Bruno Ganz) sees it. Besides, Bruno needs such an overly enterprising fellow to help him pull off a really big heist that he's been planning for a long time. It takes some doing, but the boy and his girlfriend are recruited by the older man, who has been keeping a low profile by working as a gardener.

Deranged after a fall from a horse, a man has lived for twenty years in a castle laboring under the delusion that he is Holy Roman Emperor Henry IV. His psychiatrist concocts an elaborate scheme to shock him out of his medieval reverie.

A filmmaker of committed films, together with his lover, plans to commit suicide within a few days.

The time is the late 1920s, and Angelo and Tonino are two brothers traveling around the country in a rattle-trap truck, showing moving pictures to any group of people willing to pay. When they arrive in the region of Emilia-Romagna, Angelo strikes up a relationship with a wealthy marchesa connected to the fascist movement. Tonino, on the other hand, starts to follow the rebellious Giovanni, locked up for his anti-fascist stance, and the farmers who have joined in the anti-fascist forces. As the rebels are either murdered or put in prison, Tonino becomes more and more commited to their cause - especially after Giovanni is killed. When a silent movie on the condemned and dying Christ is shown on the brothers' screen, Tonino stops the action to project some slides he has taken that show who murdered Giovanni - in an action that calls for his brother and the rest of the bystanders to finally make a decision on where to place their loyalties.

A rich Italian's shocking suicide means different things to his twin brother, mother and pregnant lover.

Meeting his handicapped son for the first time, a young father attempts to forge a relationship with the teenager.

The son of a university professor discovers his father's secret life and has to decide what to do about it.

In Rome, Gianclaudio Lopez, a retired teacher, sets off in search of his former students who are now approaching their thirties. A Class Story mixes sequences of the video diary that the teenagers had filmed at the time and sequences shot now in which the protagonists, adults, remember this period and speak of their dreams, illusions and regrets.

A love story between two women in the Naples outskirts, a universe so far away from the glare of modernity, turbid, rural, completely naked in its ugliness and sorrow, where "people are talking".

An American independent director comes to Italy to shoot a film. But inconveniences and obstacles stand in the way at every step. These are the years in which “Tangentopoli” rages and the golden rule of officials and collaborators is “one (bribe) to you, one to me, one to Raffaele”.

A young architect, Luca Fabiani, arrives in Venice to restore an ancient building in the Jewish ghetto. Here he discovers that on the top floor there is an apartment still inhabited by Elio Sorani, an elderly writer who has been living in seclusion for years, immersed in his memories. Elio is often visited by Giulia, a young woman who exchanges furtive and quick conversations with him. Giulia has an art gallery, where she meets with the man she is having an affair with, the Russian Sacha, an art critic who has now become a mediator of paintings between Italy and Russia. After overcoming an initial moment of mistrust, Luca and Elio become friends, and Elio gives Luca the manuscript of an unpublished novel, which Luca believes will enable him to reconstruct the writer's past.

Documentary in which 94 year-old Francesca Bertini recalls her life and career while attending a screening of Assunta Spina.

Director Marco Bellocchio returns with his family to his homeland, in the province of Piacenza. The journey is an opportunity to confront oneself with one's past, as well as with the nostalgia of an era.

Gregoretti's last film, in which the great filmmaker, documentary maker and journalist retraces his activity with irony and light-heartedness. Through episodes of his personal and professional life, and images of his films and television programs, a humorous story of how we were to understand that now, in reality, we are not so different.

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