Mared Swain

Drama about the secret life of Opportunity Knocks and Double Your Money presenter Hughie Green, based on the inside story from his family, friends and peers. It tells of the destructive power of success and celebrity from Green's earliest days as a child star, and explores what family and fatherhood meant to this iconic character, who harboured an explosive secret that would rock the entertainment world after his death in 1997.

Cowbois ac Injans is a Welsh language television drama written by brother and sister Jon Tregenna and Catherine Tregenna which was broadcast on S4C. The series was made by Teledu Opus, which later became Rondo Productions. The title was a pun on the phrase "Cowboys and "Injuns"; "injun", a mis-pronunciation of "Indian" sounds similar to "injan", Welsh for "engine".

Beca sees a ghostly figure of a young girl appearing around her rural hometown. The ghost seems to want Beca to help her in some way. Curiosity leads her to the house of an elderly neighbour, and Beca soon realises what she has to do.

Suffocating with grief and the weight of new motherhood, Meg begins consuming her late mother’s artwork to feel connected to her, but the coping mechanism fractures her sense of reality, drawing her into a hallucinatory battle for her baby, her identity, and her sanity.

Cowbois ac Injans is a Welsh language television drama written by brother and sister Jon Tregenna and Catherine Tregenna which was broadcast on S4C. The series was made by Teledu Opus, which later became Rondo Productions. The title was a pun on the phrase "Cowboys and "Injuns"; "injun", a mis-pronunciation of "Indian" sounds similar to "injan", Welsh for "engine".

Beca sees a ghostly figure of a young girl appearing around her rural hometown. The ghost seems to want Beca to help her in some way. Curiosity leads her to the house of an elderly neighbour, and Beca soon realises what she has to do.

Suffocating with grief and the weight of new motherhood, Meg begins consuming her late mother’s artwork to feel connected to her, but the coping mechanism fractures her sense of reality, drawing her into a hallucinatory battle for her baby, her identity, and her sanity.

Suffocating with grief and the weight of new motherhood, Meg begins consuming her late mother’s artwork to feel connected to her, but the coping mechanism fractures her sense of reality, drawing her into a hallucinatory battle for her baby, her identity, and her sanity.