Yora Rienstra

A group of Dutch comedians, songwriters, spoken words artists and musicians look back on the year 2024. With Yora Rienstra, Teddy Tops, Asmae Amaddaou, Sandy Bosmans, Janneke de Bijl, Katinka Polderman, Kiki Schippers, Vera van Zelm and pianist Vera Marijt and bassist Julia Kooreman.

Stage registration of the third comedy special by the Dutch comedian Yora Rienstra. When Yora Rienstra and her wife have a child with a donor, she must find her way in an uncharted role.

Dutch comedian Yora Rienstra talks and sings about her life. After reaching the age of 37, Yora Rienstra starts doubting about her purpose. She decides to take a sabbatical to figure things out. Inspired by the book by the Dalai Lama that she got for her birthday, she sets herself the goal of doing things she fears.

What is it like to be gay at an (orthodox) religious school? Who are the young people for whom the situation sometimes feels so hopeless that depression and suicide are more common than for other young people? Armed with an open mind, empathy, self-mockery, and curiosity, Yora Rienstra enters into a conversation with these young people, their parents, the schools, and various institutions that work with LGBTQIA+ people. What is everyone's struggle with this theme? What information is given and where is there still work to be done? An honest look into the world of education shows that there is also movement within the (orthodox) religious schools

A group of Dutch comedians, songwriters, spoken words artists and musicians look back on the year 2024. With Yora Rienstra, Teddy Tops, Asmae Amaddaou, Sandy Bosmans, Janneke de Bijl, Katinka Polderman, Kiki Schippers, Vera van Zelm and pianist Vera Marijt and bassist Julia Kooreman.

Stage registration of the third comedy special by the Dutch comedian Yora Rienstra. When Yora Rienstra and her wife have a child with a donor, she must find her way in an uncharted role.

Dutch comedian Yora Rienstra talks and sings about her life. After reaching the age of 37, Yora Rienstra starts doubting about her purpose. She decides to take a sabbatical to figure things out. Inspired by the book by the Dalai Lama that she got for her birthday, she sets herself the goal of doing things she fears.

What is it like to be gay at an (orthodox) religious school? Who are the young people for whom the situation sometimes feels so hopeless that depression and suicide are more common than for other young people? Armed with an open mind, empathy, self-mockery, and curiosity, Yora Rienstra enters into a conversation with these young people, their parents, the schools, and various institutions that work with LGBTQIA+ people. What is everyone's struggle with this theme? What information is given and where is there still work to be done? An honest look into the world of education shows that there is also movement within the (orthodox) religious schools