Stefano Conca Bonizzoni

In a world teetering on the edge of collapse, a mother recounts a tale to her child about the destructive power of human greed. Sweet End of the World. invites us on a journey that blurs the line between myth and reality, uncovering the harbingers of an impending catastrophe. Through virtual reality, humanity confronts its fate, reimagining the apocalypse as a legacy to be preserved and passed on.

Led by theater-therapist Stefania Grossi, inmate-actors from Pavia's 'Torre del Gallo' prison house are working on an original work based on the tales of Polybius.

In Kerch, in the Crimea, a minority of Italian origin who arrived there in the 1800s, struggles for their history to be recognized and told. This community of Italians in 1942 was accused of supporting the fascist regime and of collaboration with the German troops during the city’s occupation. Between 29 and 30 January, Soviet soldiers began the deportation of the Italians. The whole community was loaded onto freight trains to the icy Kazakh steppes.

In a world teetering on the edge of collapse, a mother recounts a tale to her child about the destructive power of human greed. Sweet End of the World. invites us on a journey that blurs the line between myth and reality, uncovering the harbingers of an impending catastrophe. Through virtual reality, humanity confronts its fate, reimagining the apocalypse as a legacy to be preserved and passed on.

In a world teetering on the edge of collapse, a mother recounts a tale to her child about the destructive power of human greed. Sweet End of the World. invites us on a journey that blurs the line between myth and reality, uncovering the harbingers of an impending catastrophe. Through virtual reality, humanity confronts its fate, reimagining the apocalypse as a legacy to be preserved and passed on.

Led by theater-therapist Stefania Grossi, inmate-actors from Pavia's 'Torre del Gallo' prison house are working on an original work based on the tales of Polybius.

In Kerch, in the Crimea, a minority of Italian origin who arrived there in the 1800s, struggles for their history to be recognized and told. This community of Italians in 1942 was accused of supporting the fascist regime and of collaboration with the German troops during the city’s occupation. Between 29 and 30 January, Soviet soldiers began the deportation of the Italians. The whole community was loaded onto freight trains to the icy Kazakh steppes.