Natalia Pájaro

A portrait of the stress of everyday life in a city, where respect for others is forgotten. At a pedestrian crossing, two opposites are observed: pedestrians and motorists. The characters are transformed, they are seen as "beasts" by their opposite.

In three sleepless nights, Henrietta experiences a psychotic crisis, in which her self becomes detached from her body. We do not speak of madness, but of a situation out of control. In three acts, the denial of self, the immobility of the body and the mind-body separation are addressed through visual metaphors. These sensations conclude in Henrietta's delirium: the outside and inside of her house are mixed, there are shadows that haunt her and she finally falls into a bottomless spiral.

A portrait of the stress of everyday life in a city, where respect for others is forgotten. At a pedestrian crossing, two opposites are observed: pedestrians and motorists. The characters are transformed, they are seen as "beasts" by their opposite.

In three sleepless nights, Henrietta experiences a psychotic crisis, in which her self becomes detached from her body. We do not speak of madness, but of a situation out of control. In three acts, the denial of self, the immobility of the body and the mind-body separation are addressed through visual metaphors. These sensations conclude in Henrietta's delirium: the outside and inside of her house are mixed, there are shadows that haunt her and she finally falls into a bottomless spiral.

In three sleepless nights, Henrietta experiences a psychotic crisis, in which her self becomes detached from her body. We do not speak of madness, but of a situation out of control. In three acts, the denial of self, the immobility of the body and the mind-body separation are addressed through visual metaphors. These sensations conclude in Henrietta's delirium: the outside and inside of her house are mixed, there are shadows that haunt her and she finally falls into a bottomless spiral.

In three sleepless nights, Henrietta experiences a psychotic crisis, in which her self becomes detached from her body. We do not speak of madness, but of a situation out of control. In three acts, the denial of self, the immobility of the body and the mind-body separation are addressed through visual metaphors. These sensations conclude in Henrietta's delirium: the outside and inside of her house are mixed, there are shadows that haunt her and she finally falls into a bottomless spiral.