Leonardo Barrile

Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.

In a small Belgian town, Bernard and Deme run a hotel to abduct young people as food for their monstrous daughter, Marie...

In crisis-stricken Venezuela, two former schoolmates run into each other years after graduating and face a question that puts their identity to test. Will they rebuild their homeland or be forced to migrate?

Kaunas, 1978: endless shortages, black-market flea markets, fake gold, and the screeching tires of Zigulis. Loreta, an unhappy young mother, trades her grey, impoverished daily life for the bustling Olympus of Kaunas's criminal elite. When she finally becomes the wife of Mongolas, a charismatic mafia man, her life of luxury and love doesn't last: on Christmas 1993 her husband vanishes without a trace, and her world shatters. After two decades of silence, Loreta hears the imprisoned Henrikas Daktaras call her a "barracuda, junkie and tramp" on television and she returns to Kaunas to defend her dignity. In court, the women of the neighbourhood and the widows of mobsters gather and begin a merciless lynching. Drawn into a whirlwind of dramatic memories, the viewer must answer one question: who is this woman, the first in Lithuania to be legally ruled a "barracuda", an innocent victim of her era, or a cold-blooded player?

There seems to be no end to the things Paolo can learn from exploring this mountain, which he has chosen as his home for several years now. Sometimes he also feels like a spirit, and Laki, his old dog, becomes his guide. Where will it take him? To paraphrase Suzanne Simard, this film is not about how we can save the mountain. It is about how the mountain could save us.

The one-off documentary tells the story of two women travelling by bike across the United States, from Canada to Mexico along the Great Divide. A unique adventure through the most remote areas of the Rocky Mountains, between pristine nature and wild animals. An epic journey that led them to travel 4,000 km and climb 60,000 meters and that, day after day, forced them to face their own limits, their strength and fragilities, and tested their relationship. Because every journey is always a love story.

Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.

In a small Belgian town, Bernard and Deme run a hotel to abduct young people as food for their monstrous daughter, Marie...

In crisis-stricken Venezuela, two former schoolmates run into each other years after graduating and face a question that puts their identity to test. Will they rebuild their homeland or be forced to migrate?

Kaunas, 1978: endless shortages, black-market flea markets, fake gold, and the screeching tires of Zigulis. Loreta, an unhappy young mother, trades her grey, impoverished daily life for the bustling Olympus of Kaunas's criminal elite. When she finally becomes the wife of Mongolas, a charismatic mafia man, her life of luxury and love doesn't last: on Christmas 1993 her husband vanishes without a trace, and her world shatters. After two decades of silence, Loreta hears the imprisoned Henrikas Daktaras call her a "barracuda, junkie and tramp" on television and she returns to Kaunas to defend her dignity. In court, the women of the neighbourhood and the widows of mobsters gather and begin a merciless lynching. Drawn into a whirlwind of dramatic memories, the viewer must answer one question: who is this woman, the first in Lithuania to be legally ruled a "barracuda", an innocent victim of her era, or a cold-blooded player?

There seems to be no end to the things Paolo can learn from exploring this mountain, which he has chosen as his home for several years now. Sometimes he also feels like a spirit, and Laki, his old dog, becomes his guide. Where will it take him? To paraphrase Suzanne Simard, this film is not about how we can save the mountain. It is about how the mountain could save us.

The one-off documentary tells the story of two women travelling by bike across the United States, from Canada to Mexico along the Great Divide. A unique adventure through the most remote areas of the Rocky Mountains, between pristine nature and wild animals. An epic journey that led them to travel 4,000 km and climb 60,000 meters and that, day after day, forced them to face their own limits, their strength and fragilities, and tested their relationship. Because every journey is always a love story.

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No synopsis available yet.

No synopsis available yet.

Led by Carlo Verdone, a truly Roman, we explore the social and cultural origins of Roman comedy. A "disillusioned" form of comedy, a bit cynical, a bit resigned, constantly toeing the line between popular spirit and sophisticated writing, between indolence and passion, between laughter and tears, between film, theater, and TV.

Led by Carlo Verdone, a truly Roman, we explore the social and cultural origins of Roman comedy. A "disillusioned" form of comedy, a bit cynical, a bit resigned, constantly toeing the line between popular spirit and sophisticated writing, between indolence and passion, between laughter and tears, between film, theater, and TV.