
Directing
Carlos Lobo
Place of birth
Guimarães, Portugal
Known for
Directing
Credits
6 titles
Carlos Lobo (Guimarães, 1974) is a filmmaker, photographer, musician, researcher and programmer in the field of photography. Professor at the School of Arts of the Catholic University of Portugal, he is a researcher at CITAR – Center for Research in Science and Technology of the Arts. "At Sixteen” is his first short-fiction film.
Known for
NRAmid dynamics of power, desire, and seduction, Ofélia follows two teenagers who discover their mutual attraction on the threshold between adolescence and adulthood, while simultaneously seeking to define their identity and place within an everchanging society.
Ofélia
2025
NRWhat do you do with the desire that is just awakening? At dance performances, in concerts, during sports, while skating, eyes are searching and bodies are exposed. Each space possesses its own choreography, its own music. Almost without words desire and rejection, hope and disappointment become tangible.
At Sixteen
2022
A documentary series focused on the work of portuguese photographers searching for their images, following them through every stage of each project. Between the first intuition and a final photograph, this series portraits those time eclipses.
Eclipse
2026
Alone, a man enters a bar in the middle of nothing. He is running from his demons, but tempation awaits on the corner.
A Table for One
2019
NRA visual and sound poem that explores the symbolism of the metaphors of the Burning of Judas.
Judas, Judas, Judas
2021
Series credits
Behind the camera
NRAmid dynamics of power, desire, and seduction, Ofélia follows two teenagers who discover their mutual attraction on the threshold between adolescence and adulthood, while simultaneously seeking to define their identity and place within an everchanging society.
Ofélia
2025
NRWhat do you do with the desire that is just awakening? At dance performances, in concerts, during sports, while skating, eyes are searching and bodies are exposed. Each space possesses its own choreography, its own music. Almost without words desire and rejection, hope and disappointment become tangible.
At Sixteen
2022
NRWhat do you do with the desire that is just awakening? At dance performances, in concerts, during sports, while skating, eyes are searching and bodies are exposed. Each space possesses its own choreography, its own music. Almost without words desire and rejection, hope and disappointment become tangible.
At Sixteen
2022
Alone, a man enters a bar in the middle of nothing. He is running from his demons, but tempation awaits on the corner.
A Table for One
2019
NRA visual and sound poem that explores the symbolism of the metaphors of the Burning of Judas.
Judas, Judas, Judas
2021
