Subhankar Mohanta

Set in the backdrop of the lush green tapestry of rural Bengal, the film breaks away from stereotypical representations of particular communities and explores the undefined zone in which real human beings exist beyond the rigid definitions of communal and ethnic identities. While narrating a story rooted in its milieu, the film reflects themes of universal concern and takes an insightful look into the age-old evils of gender binaries, religious fundamentalism and communal disharmony plaguing human society even today and is an earnest cinematic appeal to look beyond such myopic glasses of discrimination and celebrate humanity simply as human beings.

After a fractured argument over a shared desperation, a young man abandons his lover to silence, only to return to a devastating aftermath. Shattered by grief, his world dissolves into a fluid, dreamlike limbo where memory and existence become one.

An interfaith couple flee persecution in their village and begin a new life in the city, compelled to live on the open pavements like countless migrants. But their minds are captivated by a throne-like armchair in an exquisite showroom right beside their settlement on which they dream to sit together one day as king and queen.