Anindya Sengupta

What is Bangla kalpavigyan? Is there such a thing as Bangla Science Fiction? Is there such a thing as Indian SF? This is our journey with the genre, captured and presented like never before in film. Beginning with the early work of writers such as Rokeya Sakhawat Hussain (Begum Rokeya) and the speculative mode in Bengal, and ending with the pioneering webzine Kalpabiswa, the film traces the historical arc of kalpavigyan over a century of the genre. From the genre magazines of the 1960s-80s and the writers and editors who ignited the movement by giving it shape and form, the film presents a series of conversations and critical reflections from researchers and scholars who have worked with the genre both in relation to Bengal and kalpavigyan as well as the wider phenomenon of SF.

When two overlooked women hit their breaking point, they take bold, reckless steps to change their lives. With limited power and unexpected allies, they dive into a chaotic plan that quickly turns into a comedy of errors.

Khilat, a young software engineer, and Joyee are determined to face any and all problems that life throws at them. Will they ever get there happily ever after?

A Souvik Dey film.

A saga of a woman from her disturbed childhood to a soul-searching adulthood through an existential gender identity crisis. Niharika, the house amidst a vast, empty landscape, is where she finds solace on earth.

AK Shrivastav, a quirky patient suffering from retrograde amnesia, uncovers the reason behind his condition while trying to recollect his life accurately

Mainak Bhaumik’s latest film.

As Sudipta, a frustrated filmmaker, is forced to make a subpar thriller to appease his producer, tensions escalate, pushing him to a breaking point.

The film narrates the story of a PhD scholar, who is pursuing his research on Uttam Kumar. After being rejected by the girl he likes romantically, he decides to bring the spirit of the legendary actor back with the help of his grandson.

X, the housemaid, doesn't talk to Y, the owner.

Six characters are somehow tied to Sreenath's story. Malabika, a reader in the last phase of her life, has kept these characters in her memory. The life and death of these characters are dependent solely on Malabika.

A father leaves a will at an old-age home.