Reyan Christian Amacna

In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).

Lea, who is in a disadvantaged state, wishes for better things with her sibling, which leads to their demise.

Richard, an architecture student, is suffering from the traumas of his past experiences. This creates a cognitive complication that affects him and allows him to meet his own selves for the first time.

Jim, a visually impaired guy from Ozamis goes to Manila and meets Estelle, who stays beside his isolation room in a quarantine facility. Having only each other’s company, their conversations become deeper and deeper until Jim finds himself in love with Estelle. The day that their quarantine ends, Estelle reveals her true identity to Jim, who knew all along that she was homosexual.

Eric, in a state of solitude, is fighting for ownership.

Holi sh*t! is a satirical take on Filipino voters during elections, focusing on three types: biased, smart, and gullible. Set during the 2022 election, it follows three friends—Kaloy, Kulot, and Kokoy—drinking outside while watching election news.

Richard, an architecture student, is suffering from the traumas of his past experiences. This creates a cognitive complication that affects him and allows him to meet his own selves for the first time.

Richard, an architecture student, is suffering from the traumas of his past experiences. This creates a cognitive complication that affects him and allows him to meet his own selves for the first time.

Jim, a visually impaired guy from Ozamis goes to Manila and meets Estelle, who stays beside his isolation room in a quarantine facility. Having only each other’s company, their conversations become deeper and deeper until Jim finds himself in love with Estelle. The day that their quarantine ends, Estelle reveals her true identity to Jim, who knew all along that she was homosexual.

Eric, in a state of solitude, is fighting for ownership.