Gérson Conrad

The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.

The series follows Secos & Molhados, the rock band that shaped music and concepts in Brazil. In exactly twelve months, the group broke all records — selling over 1 million records of their debut album and playing to 25,000 people at Maracanãzinho Stadium. With painted faces and sinuous dance moves, they brought gender issues, androgyny, and the poetry of authors like Manuel Bandeira and Vinicius de Moraes into the country's homes.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.

The series follows Secos & Molhados, the rock band that shaped music and concepts in Brazil. In exactly twelve months, the group broke all records — selling over 1 million records of their debut album and playing to 25,000 people at Maracanãzinho Stadium. With painted faces and sinuous dance moves, they brought gender issues, androgyny, and the poetry of authors like Manuel Bandeira and Vinicius de Moraes into the country's homes.