Katarzyna Iskra

A young, Polish woman is forced to choose between her family and her career as an actress.

Ada and Ewa are two young schoolteachers in love who discover that their apartment building is scheduled for demolition. Unwilling to return to their families, and lacking both savings and clear prospects, they embark on a chaotic quest for a new home. Their journey through the city transforms into an absurd odyssey, introducing them to various fellow citizens navigating the housing crisis. Amidst this systemic uncertainty, they fight to preserve both their sense of humor and their relationship.

A metropolitan woman on a train, lost in her thoughts, is forced by an intense experience to break out of her bubble and connect with another passenger, despite seemingly having nothing in common.

Directors Katarzyna Iskra and Justyna Pelc encourage several characters to surrender themselves to the hands of a therapist offering non-erotic touch sessions. The soothing effect of this unusual procedure also affects us, reminding us that cinema has the potential to be not only a space for reflection but also relaxation.

A young, Polish woman is forced to choose between her family and her career as an actress.

A young, Polish woman is forced to choose between her family and her career as an actress.

A metropolitan woman on a train, lost in her thoughts, is forced by an intense experience to break out of her bubble and connect with another passenger, despite seemingly having nothing in common.

A metropolitan woman on a train, lost in her thoughts, is forced by an intense experience to break out of her bubble and connect with another passenger, despite seemingly having nothing in common.

Directors Katarzyna Iskra and Justyna Pelc encourage several characters to surrender themselves to the hands of a therapist offering non-erotic touch sessions. The soothing effect of this unusual procedure also affects us, reminding us that cinema has the potential to be not only a space for reflection but also relaxation.

Directors Katarzyna Iskra and Justyna Pelc encourage several characters to surrender themselves to the hands of a therapist offering non-erotic touch sessions. The soothing effect of this unusual procedure also affects us, reminding us that cinema has the potential to be not only a space for reflection but also relaxation.

Directors Katarzyna Iskra and Justyna Pelc encourage several characters to surrender themselves to the hands of a therapist offering non-erotic touch sessions. The soothing effect of this unusual procedure also affects us, reminding us that cinema has the potential to be not only a space for reflection but also relaxation.