Njoo Cheong Seng

This film tells the story of two girls, Karina and Roesdjana, who have conflicting characters and habits. While Karina is traditional, Roesdjana is modern.

Featuring the clash between modern thinking against traditional conservatism, the story has the troubled romance between the noble princess, RA Rusmini, and the peasant, Bachtiar. This film ends with compromise, that there is nothing wrong with either modernity or tradition.

The film featured 12 keroncong hits and is considered as the first musical film in Indonesia

The music score in this film is performed by Oriental Novelty Five, a Hawaiian music group.

Sugiati loves all of her children, Achmad, Idris, Sumadi and Supinah. Sumadi receives the most attention as Subagio, his father, often blames him. But Subagio leads a double life as a thief. To defend his father, Sumadi takes the blame for his father’s crime. He is sent to exile for his confession. Subagio feels guilty, becomes ill and finally passes away. After the death of Subagio, the children refuse to take care of Sugiati who ends up in a nursing home. Upon his return from exile, Sumadi is appalled by his siblings’ treatment of their mother and settles the score with his brothers and sister.

This film tells the story of two girls, Karina and Roesdjana, who have conflicting characters and habits. While Karina is traditional, Roesdjana is modern.

Featuring the clash between modern thinking against traditional conservatism, the story has the troubled romance between the noble princess, RA Rusmini, and the peasant, Bachtiar. This film ends with compromise, that there is nothing wrong with either modernity or tradition.

The film featured 12 keroncong hits and is considered as the first musical film in Indonesia

The music score in this film is performed by Oriental Novelty Five, a Hawaiian music group.

Sugiati loves all of her children, Achmad, Idris, Sumadi and Supinah. Sumadi receives the most attention as Subagio, his father, often blames him. But Subagio leads a double life as a thief. To defend his father, Sumadi takes the blame for his father’s crime. He is sent to exile for his confession. Subagio feels guilty, becomes ill and finally passes away. After the death of Subagio, the children refuse to take care of Sugiati who ends up in a nursing home. Upon his return from exile, Sumadi is appalled by his siblings’ treatment of their mother and settles the score with his brothers and sister.

Sugiati loves all of her children, Achmad, Idris, Sumadi and Supinah. Sumadi receives the most attention as Subagio, his father, often blames him. But Subagio leads a double life as a thief. To defend his father, Sumadi takes the blame for his father’s crime. He is sent to exile for his confession. Subagio feels guilty, becomes ill and finally passes away. After the death of Subagio, the children refuse to take care of Sugiati who ends up in a nursing home. Upon his return from exile, Sumadi is appalled by his siblings’ treatment of their mother and settles the score with his brothers and sister.