Alexandre Carvalho

After a chance encounter on the elevator, the lives of Mary Ann, a widowed English teacher, and Pedro, a recently divorced man, intersect against the hot backdrop of Rio de Janeiro.

With Don Quixote, by Cervantes, as a background the play is set in the backstage of a theatre house focusing on the routine of a young actor that's more of an extra - dreaming more than achieving, closer to failure than to talent he dreams of a life of glory and recognition. We watch romantic, artistic and social adventures and misadventures of a generations profoundly inept against another that simply gave up on being. A comedy about the fear of rejection with double edged swords and the tale of the knight of underachievement.

Two friends promise that they will never grow up and that if they do, one day, they will end their own lives. Between the day of the promise and the day adulthood arrives, anxieties and fears, hopes and dreams make it difficult to reach the age of thirty. Reaching the milestone, after all, is as good as it is scary. Perhaps running away to Paris is the solution, but, as the conclusion goes, "we are all heroes at midnight, but cowards at nine in the morning." Does growing up mean compromising? Or do we remain just a little lost children playing this game of wanting to appear very adult?