Sally Hibbin

The compelling tale of how a group of sacked dockers got together with scriptwriter Jimmy McGovern and novelist Irvine Welsh to turn their unique story into a film. In September 1995, five men were sacked for walking off the job when their overtime agreement was ditched. Dockers: Writing The Wrongs tells how the dockers spent a year producing the script based on their own experiences of the dramatic two and a half year dispute.

Stevie, fresh from prison in Scotland, finds a job on a London construction site. Working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with unemployment. Some help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, an aspiring singer.

Maggie has had four children, by four different fathers, removed by social services because of a previous violent relationship. When she meets Jorge, a gentle Latin American refugee, she gradually sees her chance for happiness, but her past still haunts her.

Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .

Proud, though poor, Bob wants his little girl to have a beautiful (and costly) brand-new dress for her First Communion. His stubbornness and determination get him into trouble as he turns to increasingly questionable measures, in his desperation to raise the needed money. This tragic flaw leads him to risk all that he loves and values, his beloved family, indeed even his immortal soul and salvation, in blind pursuit of that goal.

1987, love in time of war: bus driver George meets Carla, a Nicaraguan exile living a precarious, profoundly-sad life in Glasgow. Her back is scarred, her boyfriend missing, her family dispersed; she's suicidal. George takes her to Nicaragua to find out what's happened to them and help her face her past.

Two refugee teenage girls from Africa meet and become friends and help each other deal with the horrors in their past.

Jimmy McGovern's depiction of the mid 90s Liverpool dockers strike. Featuring script contributions from Irvine Welsh and the real dockers themselves

A young British Asian, Mo is a fast-rising police officer who goes under cover infiltrating Shadwell's resurgent hooligan element, who are fired up by Shadwells's takeover by a Russian oligarch and their unlikely adventure into European competition. Mo quickly becomes embroiled in the local schism between the BNP and EDL and plans to build a new mosque in the shadow of the Shadwell ground creates an explosive environment in which football and political violence form a perfect storm of social unrest.

Alun arrives in Glasgow to play a gig at The Edge, a comedy club run by would-be promoter Max T. Max T should be looking after Alun, but he already has his hands full trying to keep Sandy Cervi, his second cousin and business partner, from taking over the club. In a bid to sort out some 'poontang' for himself and Alun, Max invites Eva, a psychiatric nurse and her photographer friend Christina along to the gig.

A young woman joins a group of protesters trying to stop the construction of a highway through a forest with the purpose of having sex with their leader. But when morning comes and the authorities show up to disband the protesters, she hits a man with a log. This causes the two to have to go on the run. With the help of a sickly, but sympathetic woman, the two slip through police roadblocks. Traveling with her, they learn she is an ex-army lesbian who just wants to see a final sunrise at the Orkney Islands before her death.