Lola Buero

Sofia, Samu, Tamara, Marcos, Sylvia and Judit are, each in their own way, an Andalusian bitch. Like many kids their age, they feel quite lost, and they try to find their way, a path greatly influenced by the relationship (repressed, released or overstimulated) they have with sex, and which can only be defined as "dramarracha". The motto of these Andalusian bitches is clear: as their compatriot Machado said, "Walker, there is no path, the path is made by shitting."

Ana throws her life on the Instagram and other social networks, where she posts pictures, videos and short animations, together with witty (and lucid) texts. Ana is going through a strange moment. In addition to going through the family conflicts and identity issues typical of her age, she experiences something new. She feels something she does not quite understand, for her close friend Corrales.

Maca is leaving in a week to study abroad away from her city, Seville. What she once envisioned as the future is now an imminent reality. Maca's inertia suddenly stops after having to face a host of new fears that will falter the decision that was once firm.

A fleeting, magical relationship blossoms when Diego, abandoned by his wife, meets Amanda, a fanciful teen amputee trampoline jumper. A meek mermaid and a disoriented, free-falling man's unlikely bond.

No synopsis available yet.

Sofia, Samu, Tamara, Marcos, Sylvia and Judit are, each in their own way, an Andalusian bitch. Like many kids their age, they feel quite lost, and they try to find their way, a path greatly influenced by the relationship (repressed, released or overstimulated) they have with sex, and which can only be defined as "dramarracha". The motto of these Andalusian bitches is clear: as their compatriot Machado said, "Walker, there is no path, the path is made by shitting."