Malak Mroueh

After her mother discovers her relationship with Dana, Maya undergoes electroshock conversion therapy and starts to hallucinate.

Probably the first film directed by Malak Mroueh.

Courage is comprised of eight poetic acts written by Dayna Ash that tackle identity, freedom, and being queer in the Middle East—where the dominating discourse aims to dim and erase their existence. The “closet” is portrayed as a labyrinth of societal norms and traditions that bodies must navigate to survive, rendering coming out and the spectrum in-between as equally courageous acts.

Several mysterious objects appear in different locations. Inside them are white contact lenses that offer views of a distant world. After trying them, three individuals describe, through testimonies, what they saw and felt.

Four filmmakers and videographers were invited by the Beirut Art Center (BAC) to make a short narrative film using only recordings from the 6 security cameras set up in the BAC’s space. During the preparations for these commissions, a heavier reference imposed itself onto the visual imaginaries tied to the CCTV footage, and that is the anticipation of the disaster that rushed into the intimacy of our lives and demolished our shelters.

Reminiscing about the past.

After her mother discovers her relationship with Dana, Maya undergoes electroshock conversion therapy and starts to hallucinate.

After her mother discovers her relationship with Dana, Maya undergoes electroshock conversion therapy and starts to hallucinate.

Probably the first film directed by Malak Mroueh.

Courage is comprised of eight poetic acts written by Dayna Ash that tackle identity, freedom, and being queer in the Middle East—where the dominating discourse aims to dim and erase their existence. The “closet” is portrayed as a labyrinth of societal norms and traditions that bodies must navigate to survive, rendering coming out and the spectrum in-between as equally courageous acts.

Four filmmakers and videographers were invited by the Beirut Art Center (BAC) to make a short narrative film using only recordings from the 6 security cameras set up in the BAC’s space. During the preparations for these commissions, a heavier reference imposed itself onto the visual imaginaries tied to the CCTV footage, and that is the anticipation of the disaster that rushed into the intimacy of our lives and demolished our shelters.

Reminiscing about the past.