Pierre Levy

2025, the year of the intensification of a total and deadly war, which nothing and no one seems able to stop, targeting military personnel and civilians, and which has now claimed more than 1.5 million lives or left that many wounded on both sides. But 2025 is also the year of our break with Donald Trump's America, an America with violent and unpredictable reactions, which risks abandoning the old continent, its most loyal ally for 80 years, for Vladimir Putin. How can we stop this bloodshed on our doorstep? How can we contain the master of the Kremlin, a dictator whose predatory logic threatens to spread beyond Ukraine? Sabotage, ghost ships, interference operations, and drone flights: he is already waging a hybrid war against the rest of Europe. Is armed conflict between Europe and Russia now a possibility?

Drawing exclusively from illuminated manuscripts of the 14th and 15th centuries held by the French National Library, this short documentary presents a medieval vision of life—from Creation and birth through labor, pleasure, death, and the Day of Judgment. Constructed as a visual essay, the film treats manuscript illumination as a complete worldview rather than illustration alone. Screened in competition at the 1949 Cannes Film Festival, it won the Prize for Best Colour.

Drawing exclusively from illuminated manuscripts of the 14th and 15th centuries held by the French National Library, this short documentary presents a medieval vision of life—from Creation and birth through labor, pleasure, death, and the Day of Judgment. Constructed as a visual essay, the film treats manuscript illumination as a complete worldview rather than illustration alone. Screened in competition at the 1949 Cannes Film Festival, it won the Prize for Best Colour.