Carlos Gregório

Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.

Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

No synopsis available yet.

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

After the funeral of her father Arnaldo, who committed suicide, Engraçadinha confesses to the priest the motives. On the engagement party of her cousin Sílvio with Letícia, Engraçadinha seduces him in the library, and later she ends her engagement with Zózimo and lies to Letícia, telling that she is pregnant. Letícia decides to tell Arnaldo what happened, and he says that the child can not be born. He exposes dirty secrets to Engraçadinha, and a tragedy is announced.

Godofredo suffers a terrible blow when he comes back home earlier than usual and finds his wife in the arms of his partner. He sends his wife away to a coast town and dares his rival to a duel. But he begins to miss his wife and the company of his friend.

32 renowned Brazilian screenwriters of the contemporary Brazilian cinema talk about their creative processes. From the concept of script to their agreements and disagreements, going through their experiences with filmmakers, their reaction to the finished film, critic, and even controversies on auteurism.

No synopsis available yet.

A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.

Shady and beautiful art dealer involves her former lover and an art expert in a scheme to deceive a rich collector. Exposed, she escapes with her new lover, a pilot.

A real state agency wants to buy and demolish the traditional school Matheus Rose, to use the lot to build a hotel. The proposition unleashes a feel of distrust among the school students and staff, especially with the arrival of new, mysterious students.

In four stories inspired by humorous tales by Ariano Suassuna, each created based on phrases by the poet from Paraíba, we meet Helder, Fabiano, Pierce and Lorena, living different situations where, ironically, the lie is always the protagonist.

While waiting for directions, two revolutionaries hide in a church, where they meet a woman who wants to have a son with one of them.

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.

Follows the decadence of an incestuous oligarch family in a rural Brazilian household through the years during the early 20th century.

Kira is a botanist with magical abilities, though the origins of her powers remain unknown to her. Her life takes an unexpected turn when her friend Nanda discovers an elf named Damiz trapped in her room. They soon learn that Damiz is the prince of the elves and has been captured by Gorgon, a greedy executive who seeks to purchase the house where Nanda’s family lives. In order to help defeat Gorgon, Kira decides to venture into the world of the elves, where she uncovers hidden secrets about her past.

The affectionate relationship between mentor Alberto and his favorite pupil Polydoro is disturbed by Alberto's marriage to Helena, with life-changing and long-lasting consequences for all of them.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

With Brasilia as a setting, the film tries to recreate the political environment in Brazil when civilians were able to found new political parties, after 10 years of strict military rules. In the midst of a nationwide crisis, a group of politicians found an opposition party to the military regime, triggering violent denunciation against multinationals operating in the country. The explorer of the Seesaw deposit, United Mining, an American multinational that is being accused of several irregularities, sees in the internal struggle that divides the opposition party its only chance to silence the nationalist campaign that denounces it. Thus, a game is developed that ends up leading the characters to a tragic plot of corruption and fear.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

Two friends get rich running an illegal gambling business. But soon they start to compete, and become rivals.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Gafanhoto is a smuggler who tries to take a hit by stealing a valuable stone. He awakens the fury of the old boss of the gang, and ends up involving in the plot a former colleague, Poeta and his girlfriend Cris, a beautiful woman who brings in the eyes the mark of the tragedy.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

Marcos Resende is a cold and crisis man command MetalNobre company. Mark lost his faith in God when her father, Antonio, died in the construction of the Basilica of Our Lady of Aparecida. He had asked the day before to Our Lady Aparecida cleats for him to play in a team and his father would buy them. Mark is separated from wife and Sonia have feuds with son Lucas, in addition to keeping a bad emotional relationship with Beatriz, an official of the company and his mother, Julia. After a misunderstanding, Lucas suffers a serious motorcycle accident. Then Mark revive its history and living with his father. And when he turns to Julia, she reveals the mysterious grace of his family.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.