Acting
Pooh Kaye
Acting credits
9.2SSS is composed from footage of movement improvised on the streets of pre-gentrified East Village by Sally Silvers, Pooh Kaye, Harry Shepperd, Lee Katz, Kumiko Kimoto, David Zambrano, Ginger Gillespie, Mark Dendy, and others, painstaking synched to music previously improvised for the project at Noise New York by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). Beauty emerging from rubble. (Henry Hills)
SSS
1988
A woman wakes up and starts her day among a colorful world which blends live action, pixilation, stop motion, cut-outs and animated paint.
Wake Up Call
1989
Behind the camera
NRPaint is employed here with visceral as well as visual delight and it is given several metaphoric meanings to boot. The intertwining of art and its illusions with so-called reality explored with exuberance.
The Painted Princess
1993
Performed by the dancers of Eccentric Motions and students of Pooh Kaye on the streets of Soho, New York.
Sticks on the Move
1983
A woman wakes up and starts her day among a colorful world which blends live action, pixilation, stop motion, cut-outs and animated paint.
Wake Up Call
1989
Set in an abandoned ocean liner pier on the Hudson River, New York City circa 1984 dancers interact with graffiti, abandoned objects and the crumbling architecture.
Inside the House of Floating Paper
1984
