Kenichiro Ubukata

No synopsis available yet.

No synopsis available yet.

Hideko, a young Baseball fan, determined to cheer for her favourite baseball team by creating a new song for them.

Tobisuke, puppeteer in Kyôtô, saves O-fuku's life. Wounded in the head, it can now count to three. O-fuku invited him to meet her mother so she can heals him with a golden fruit. But O-fuku and Tobisuke had to cross the valley of death filled with fantastic creatures, will they survive?

Miyamoto Tokunosuke works at a Detective Agency in the heart of Tokyo. When his lover Ranko tells him that she's pregnant, he begins to worry. His company hasn't paid his backsalary and he doesn't know how he will pay for the new baby. His friend Suihei tells him about a job at a bar, but on his way there, Tokunosuke meets a mysterious man who sells him a newspaper...for tomorrow!

Story of a bandit king part 2.

Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.