John Murray Scott

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

A linking together of Shakespeare's history plays — Richard II, 1 Henry IV, 2 Henry IV, Henry V, 1 Henry VI, 2 Henry VI, 3 Henry VI, and Richard III — chronicling the rise and fall of monarchs over the 86 years between Richard II and Richard III.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

An anthology of self-contained stories about acts of resistance in occupied Europe during the Second World War. Producer Gerard Glaister drew upon his own wartime experiences, having served as a pilot in the RAF.

In the not-too-distant future of 1970, a mysterious signal from space arrives with instructions to build a powerful super-computer. Once completed, the evice's motives provokes discourse between scientists John Fleming and Madeleine Dawnay as further instructions are to create a living organism, which Dawnay develops. The entity compels lab assistant Christine to commit suicide, and, upon manifestation, adopts her form, now known as Andromeda.

The world is delighted when a spacecraft containing a crew comprised of the world's astronauts lands on the moon, but are shocked when the astronauts discover an old British flag and a document declaring that the moon is taken for Queen Victoria, proving that the astronauts were not the first men on the moon.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

A linking together of Shakespeare's history plays — Richard II, 1 Henry IV, 2 Henry IV, Henry V, 1 Henry VI, 2 Henry VI, 3 Henry VI, and Richard III — chronicling the rise and fall of monarchs over the 86 years between Richard II and Richard III.

A linking together of Shakespeare's history plays — Richard II, 1 Henry IV, 2 Henry IV, Henry V, 1 Henry VI, 2 Henry VI, 3 Henry VI, and Richard III — chronicling the rise and fall of monarchs over the 86 years between Richard II and Richard III.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".

An anthology of self-contained stories about acts of resistance in occupied Europe during the Second World War. Producer Gerard Glaister drew upon his own wartime experiences, having served as a pilot in the RAF.

In the not-too-distant future of 1970, a mysterious signal from space arrives with instructions to build a powerful super-computer. Once completed, the evice's motives provokes discourse between scientists John Fleming and Madeleine Dawnay as further instructions are to create a living organism, which Dawnay develops. The entity compels lab assistant Christine to commit suicide, and, upon manifestation, adopts her form, now known as Andromeda.