Lucie Leszez

Three filmmakers bring back images of the forest. They are reworked and destructured with the means of the photochemical laboratory. BOSCO is a visual breakthrough punctuated by a contrasted and hypnotic black and white.

Maybe all begin with the eschatological prophecy of a clown duo. Set against the brutal architecture of a dystopian universe, a silhouette subjected to metamorphoses confronts the lines. A voice suggests madness. Language goes off the rails. La Citadelle des Clownes is a portrait of a comedian, a film journal, a metaphorical quest, the epileptic crossing of an ambushed bridge. How to get out of the citadel?

"Views of everyday life, Borgo Panigale, the road to the San Vitale Gate in Bologna and a breakaway: the Apennins, Portivy. A tremor of the photographed landscapes go with the appearance and the disappearance of images seeking their frame." - Lightcone

Three filmmakers bring back images of the forest. They are reworked and destructured with the means of the photochemical laboratory. BOSCO is a visual breakthrough punctuated by a contrasted and hypnotic black and white.

Maybe all begin with the eschatological prophecy of a clown duo. Set against the brutal architecture of a dystopian universe, a silhouette subjected to metamorphoses confronts the lines. A voice suggests madness. Language goes off the rails. La Citadelle des Clownes is a portrait of a comedian, a film journal, a metaphorical quest, the epileptic crossing of an ambushed bridge. How to get out of the citadel?

"Views of everyday life, Borgo Panigale, the road to the San Vitale Gate in Bologna and a breakaway: the Apennins, Portivy. A tremor of the photographed landscapes go with the appearance and the disappearance of images seeking their frame." - Lightcone