Alexandros Hrysanthopoulos

Three stories. Three directorial perspectives. A cinematic triptych that navigates between humor, absurdity, and Greek reality. Three different filmmakers join forces in a cinematic triptych that observes contemporary Greek reality through humor, absurdity, and a satirical lens.

All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.

A method actor commits a heist that goes wrong. He befriends the critically injured victim and tries to reconcile his guilt before his one shot audition in New York.

A 30-something failed businessman moves into his grandpa's house, the defunct WW2 veteran. His quest to live up to his legacy, will redefine both the family hero and himself.

Strangers find themselves trapped inside five elevators that break down. Tension rises. There is no communication; just angry men and women bringing the worst out of each other. This is hell in 4m².