Vicente Fres

The world comes to an end. In the midst of love, excesses and euphoria, a group of friends have a nostalgic reflection on their lives. As time progresses and death approaches, their reflections turn into a farewell between chaos and the end of a decaying world.

The world is about to end and in its last day thousands of people take to the streets in a cry of dissatisfaction; some party, others roam with a camera trying to register everything. They all have something in common —their attempt to be free before the end. An apocalyptic metaphor within the frame of the social revolution that occurred in Chile at the end of 2019, a portrait of a generation that lost any notion of a future.

The world comes to an end. In the midst of love, excesses and euphoria, a group of friends have a nostalgic reflection on their lives. As time progresses and death approaches, their reflections turn into a farewell between chaos and the end of a decaying world.

The world is about to end and in its last day thousands of people take to the streets in a cry of dissatisfaction; some party, others roam with a camera trying to register everything. They all have something in common —their attempt to be free before the end. An apocalyptic metaphor within the frame of the social revolution that occurred in Chile at the end of 2019, a portrait of a generation that lost any notion of a future.

The world is about to end and in its last day thousands of people take to the streets in a cry of dissatisfaction; some party, others roam with a camera trying to register everything. They all have something in common —their attempt to be free before the end. An apocalyptic metaphor within the frame of the social revolution that occurred in Chile at the end of 2019, a portrait of a generation that lost any notion of a future.