Writing
Michèle Perrein
Born — Died
1929-10-30 — 2010-02-11
Place of birth
La Réole, Gironde, France
Known for
Writing
Credits
4 titles
Michèle Perrein (30 October 1929 – 13 February 2010) was a French journalist and writer. She was the recipient of the Prix Interallié in 1984. Michèle Perrein, whose real surname was Barbe, was born in Gironde and studied at the Collège de La Réole, followed by two years at the Faculty of Law in Bordeaux. After she moved to Paris, she worked as a secretary by sending cars to South America while attending in parallel evening courses at the Centre de formation des journalistes. Hélène Lazareff, director of the magazine Elle, found that her surname "Barbe" was difficult to wear, and thus she decided to take her mother's name "Perrein". Her work as a journalist led her to follow several trials…
Known for
8.5Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
Apostrophes
1975
7.6As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.
The Truth
1960
No synopsis available yet.
La Limousine
1976
7.0A failed actress sinks into neurosis and mythomania. To give relief to her dismal existence, she engages in all kinds of activities ranging from false testimony to occasional prostitution.
Sortie de secours
1970
Film credits
Series credits
Behind the camera
7.6As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.
The Truth
1960
7.0A failed actress sinks into neurosis and mythomania. To give relief to her dismal existence, she engages in all kinds of activities ranging from false testimony to occasional prostitution.
Sortie de secours
1970