Tony Pandolfo

In a mythical kingdom, a young boy must fight time for the love of his princess and the future of his land.

The Atonement is a cinematic experience that depicts a lonely man faced with the failure of all consolation. Job is no longer the biblical patient, but a young, unkempt body that traverses bare and claustrophobic places as if they were psychic thresholds. Each environment is a fragment of consciousness that is consumed, a remnant of faith that has survived the collapse of all theodicy. In the film, the protagonist, realizes that no justice will come from above, nor from the community, nor from a shared moral order. If guilt cannot be redeemed, then it must be paid for. The Atonement becomes a self-imposed gesture, not a ritual expiation, but a real act of flesh and blood, of presumed justice inflicted on the world and on God in a desperate attempt to restore balance to the world when all is silent.

This update of the 1950 western TV series changes Cisco and Pancho from wandering heroes of the old west to somewhat anti-"gringo" Mexican revolutionaries.

In the clip for the song "Cvlt" the rappers Salmo and Noyz Narcos go to the master's house. Things take an unexpected turn.