
Directing
Bachtiar Effendy
Acting credits
NRA story of a hero from Betawi (local utterance of Batavia, now known as Jakarta), not unlike other stories, such as Si Jampang and Si Pitung.
Si Ronda
1930
NRA Singaporean production directed by B.S. Rajhans.
Pisau Berachun
1948
NRThe film draws on the tribulations following the Japanese Occupation and the subsequent stirrings of nationalism that arose. It marked the first time that both Chinese and Malay were portrayed on equal footing in a local production, with dialogue in both languages to depict how racial unity ensured the success of guerilla warfare in that era. The film follows the Malay protagonist, Rashid, in his work as a radio spy signaller for the allied forces in Japanese-occupied Singapore until his arrest by the Kempetai (Japanese military police) and subsequent escape and encounter with the man who betrayed him. - Government of Singapore
The Call For Freedom
1947
The story that resembles Romeo and Juliet takes place in West Sumatera. Norma's beauty has her known as Melati van Agam (the Jasmine of Agam). She falls in love with Idrus, and the feeling is mutual. Without any knowledge of the lovers, Norma’s parents accepts Nazarudin’s proposal for marriage. Nazarudin is a rich man. After she gets married, Norma is taken to Kota Raja (Banda Aceh). Sometime later, Idrus falls ill and passed away at Fort de Kock (Bukit Tinggi). But Nazarudin's suspicion does not end there. He alleges the baby that Norma is carrying is Idrus' child. This allegation makes Norma ashamed. She commits suicide and is laid to rest next to Idrus's grave.
Melati van Agam (I and II)
1931
NRA Singaporean production in Malay by B.S. Rajhans.
Night Time In Singapore
1947
Behind the camera
This film is the first talking picture made by Tan's Film.
Njai Dasima
1932
This film is the first talking picture made by Tan's Film.
Njai Dasima
1932
Produced as a profile on the Military Police Corps, we see the romance between Wati and Karmawan. Subur, on the other hand, is treated by Wati as a casual friend. However, Wati's parents pair off their daughter to Subur. The conflict between personal interest and professional duty begins when Subur is captured by a gang of thugs. As a commanding officer, Karmawan is assigned to rescue his subordinate, Subur, whereas he will have a chance with Wati again, if he does not do anything about it.
Antara Tugas dan Tjinta
1954