Gustavo Alonso

In the Anconetani family's former home, located in the Chacarita neighborhood of Buenos Aires, you'll find the workshop, the instrument shop, and the Accordion Museum, which displays century-old instruments and preserves the family's history. Nazareno Anconetani, 91, cherishes the nearly extinct craft of accordion making. With his joy and the magic of his stories, he transports us to a past where effort and work were a daily celebration of life.

In the early 1990s, a group of film buffs set out to film a VHS version of Hamlet in a theater burned down during the Civic-Military Dictatorship. The Prince would then become a driving force behind the struggle to reopen the Film School, which the same dictatorship had closed.

When illustrator Gusti’s son is born totally different than expected, the father has to find a new, personal way to accept the situation.

No synopsis available yet.

The life of filmmaker Enrique Juárez, reviewed at the same time by family, friends, and fellow activists, is the excuse to address the 1960s and 1970s of the 20th century, when an entire generation awakened not only to the political struggle, but also to the assumption of Latin American cinema.

In the Anconetani family's former home, located in the Chacarita neighborhood of Buenos Aires, you'll find the workshop, the instrument shop, and the Accordion Museum, which displays century-old instruments and preserves the family's history. Nazareno Anconetani, 91, cherishes the nearly extinct craft of accordion making. With his joy and the magic of his stories, he transports us to a past where effort and work were a daily celebration of life.

In the early 1990s, a group of film buffs set out to film a VHS version of Hamlet in a theater burned down during the Civic-Military Dictatorship. The Prince would then become a driving force behind the struggle to reopen the Film School, which the same dictatorship had closed.

When illustrator Gusti’s son is born totally different than expected, the father has to find a new, personal way to accept the situation.

No synopsis available yet.

The life of filmmaker Enrique Juárez, reviewed at the same time by family, friends, and fellow activists, is the excuse to address the 1960s and 1970s of the 20th century, when an entire generation awakened not only to the political struggle, but also to the assumption of Latin American cinema.