Firman Triyadi

Aria (Tio Pakusadewo) is an idealistic composer who refuses to compromise his principles. His wife, Feby (Nia Zulkarnain), chooses to separate from him and leave behind their daughter, Seruni (Asteria Dania Mangi). The scenes depicting the daily routines of Aria and Seruni are particularly reminiscent of the American film. Against this backdrop, Thiara (Yasni Aziz Wahab), who wants to become a singer, emerges and become very close to Aria. Feby, who is now very successful in her own career, demands that Seruni be returned to her, particularly because she has become aware of Aria’s relationship with Thiara.

Set against the backdrop of the Japanese occupation and traditional Betawi culture, the story centers on Sayuti, a brash local champion consumed by jealousy over his dancer girlfriend, Nonon. His insecurity deepens with the arrival of Komar, an educated urbanite who quickly gains the villagers' admiration. Unbeknownst to Sayuti, Komar and his comrade Malik are actually resistance fighters operating undercover within the Japanese ranks to steal weapons. When Sayuti impulsively decides to prove his worth by attacking the occupiers directly, his reckless heroism threatens to blow the cover of Komar's carefully planned operation.

Dea is arranging music for a song titled "Tapi Bukan Aku (But That's Not Me)". Grego, a music academy student, rents Dea’s house. When he plays the piano, he feels as if someone is watching him play the piano. From a bracelet, Grego sees Dea, a restless spirit who is forced by Silbi to join a group of the dead that she leads. The togetherness of Grego and Dea leads to a deep friendship, and love. Unfortunately, they come from different worlds and Grego is already engaged. The love between them finally makes Dea insist on returning back to her body that is lying in coma in a hospital. Dea enters her body to come back to life and to remind Grego of his promise of love.

Aria (Tio Pakusadewo) is an idealistic composer who refuses to compromise his principles. His wife, Feby (Nia Zulkarnain), chooses to separate from him and leave behind their daughter, Seruni (Asteria Dania Mangi). The scenes depicting the daily routines of Aria and Seruni are particularly reminiscent of the American film. Against this backdrop, Thiara (Yasni Aziz Wahab), who wants to become a singer, emerges and become very close to Aria. Feby, who is now very successful in her own career, demands that Seruni be returned to her, particularly because she has become aware of Aria’s relationship with Thiara.

Set against the backdrop of the Japanese occupation and traditional Betawi culture, the story centers on Sayuti, a brash local champion consumed by jealousy over his dancer girlfriend, Nonon. His insecurity deepens with the arrival of Komar, an educated urbanite who quickly gains the villagers' admiration. Unbeknownst to Sayuti, Komar and his comrade Malik are actually resistance fighters operating undercover within the Japanese ranks to steal weapons. When Sayuti impulsively decides to prove his worth by attacking the occupiers directly, his reckless heroism threatens to blow the cover of Komar's carefully planned operation.

Set against the backdrop of the Japanese occupation and traditional Betawi culture, the story centers on Sayuti, a brash local champion consumed by jealousy over his dancer girlfriend, Nonon. His insecurity deepens with the arrival of Komar, an educated urbanite who quickly gains the villagers' admiration. Unbeknownst to Sayuti, Komar and his comrade Malik are actually resistance fighters operating undercover within the Japanese ranks to steal weapons. When Sayuti impulsively decides to prove his worth by attacking the occupiers directly, his reckless heroism threatens to blow the cover of Komar's carefully planned operation.

Dea is arranging music for a song titled "Tapi Bukan Aku (But That's Not Me)". Grego, a music academy student, rents Dea’s house. When he plays the piano, he feels as if someone is watching him play the piano. From a bracelet, Grego sees Dea, a restless spirit who is forced by Silbi to join a group of the dead that she leads. The togetherness of Grego and Dea leads to a deep friendship, and love. Unfortunately, they come from different worlds and Grego is already engaged. The love between them finally makes Dea insist on returning back to her body that is lying in coma in a hospital. Dea enters her body to come back to life and to remind Grego of his promise of love.