Luis Felipe Fuks

We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.

A problem of the past is rotting in the corner of the office, and the smell doesn't allow Dad to work in peace.

After a boy and a girl meet at a party, strange desires begin to appear.

In the cemetery of images, a fox wanders above the Klipot, in which lie industrial memories of life and death.

Through an online videocall, Victor Konskier reads a poem by portuguese poet Fernando Pessoa.

Result of experiments on 35mm film. Images extracted from 'The Man Who Was Turned into Juice,' directed by João Batista de Andrade.

A problem of the past is rotting in the corner of the office, and the smell doesn't allow Dad to work in peace.

A problem of the past is rotting in the corner of the office, and the smell doesn't allow Dad to work in peace.

After a boy and a girl meet at a party, strange desires begin to appear.

After a boy and a girl meet at a party, strange desires begin to appear.

In the cemetery of images, a fox wanders above the Klipot, in which lie industrial memories of life and death.

Through an online videocall, Victor Konskier reads a poem by portuguese poet Fernando Pessoa.

Result of experiments on 35mm film. Images extracted from 'The Man Who Was Turned into Juice,' directed by João Batista de Andrade.

Strange dreams wake you up to the nightmarish reality of solitude. Made during the COVID-19 pandemic.

Strange dreams wake you up to the nightmarish reality of solitude. Made during the COVID-19 pandemic.

Unaware that they are both involved with Capucine, Henri and Charles debate historical and literary figures in a Parisian bookstore.

Unaware that they are both involved with Capucine, Henri and Charles debate historical and literary figures in a Parisian bookstore.