Francis Madson

A couple of rubber workers from Manaus are transported from 1919, the end of the Spanish Flu in Brazil, to 2020, the height of the Covid-19 pandemic. Between quinine, British tea, street music and internet modem, the couple's adventures, under the intoxicating opium of pornochanchada, show how the country's conservative structures have been maintained since other carnivals.

No synopsis available yet.

No synopsis available yet.

A boy adrift inside an abandoned shack in a river. A dead, decomposing horse and a man bathed in blood. Pesticides, crops, and trucks carrying timber. Naked and in a torrential downpour, a young man tries to walk along a dirt road.

A couple of rubber workers from Manaus are transported from 1919, the end of the Spanish Flu in Brazil, to 2020, the height of the Covid-19 pandemic. Between quinine, British tea, street music and internet modem, the couple's adventures, under the intoxicating opium of pornochanchada, show how the country's conservative structures have been maintained since other carnivals.

A couple of rubber workers from Manaus are transported from 1919, the end of the Spanish Flu in Brazil, to 2020, the height of the Covid-19 pandemic. Between quinine, British tea, street music and internet modem, the couple's adventures, under the intoxicating opium of pornochanchada, show how the country's conservative structures have been maintained since other carnivals.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.